![]() It was a glorious experience, and we loved the results. Some of those are people that we admired since we were kids (see Mike Watt) and with whom, at some points of the band’s journey, we have managed to cross paths with. However, on that occasion we wanted to have on board some of the humans who have been part of our long ride, albeit each one of them in different ways and circumstances. In the end, due to the usual record label related issues, the album came out in 2017 so we did not even manage to honour our twentieth anniversary: this fact alone should give you an idea of how fucking hopeless we are as a band. Do you think that is a direction you would have gone in anyway or was that something that was forced on you entirely by lockdown?įERRUCCIO QUERCETTI: Originally, ‘Second Skin’ was supposed to be released in 2016, in time for the twentieth anniversary of the band’s inception. PB: Your last album ‘Second Skin’ involved the participation of many friends and guests, but this album features largely just the three of you on most of its tracks. We spoke to Ferruccio Quercetti about the band’s non-stop touring, singing in English and ‘Dead City Nights’. Inspired partially by lockdown, it reflects on the abandonment and shut down of formerly busy city centres at night as a result of weak economics, mismanagement and sickness, disease and death. ![]() CUT is a trio from Bologna which strides across a middle ground between angular post-punk trio and a primal blues sound.Ī fiery tour-de-force on stage, the band, which consists of Ferruccio Quercetti (vocals, guitar), Carlo Masu (vocals, guitar) and Tony Booza (drums, percussion), has recently completed its eighteenth tour of Britain, and just released on Antipop Records its seventh studio album, ‘Dead City Nights’. ![]()
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